De-pressssssing.

To Christina Olson, the entire world was her family's remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the twentieth century.

-Submitted by Veronica-
A quiet, unassuming novel that was completely excellent. “Christina’s World” is an iconic American painting from the mid-20 century by Andrew Wyeth. It’s famous for it’s so-called “magic realism” style. At first glance, the girl in the painting is simply sitting in the grass, titled towards the farmhouse. Upon closer inspection, however, there is a sense of eeriness and foreboding: the girls’ arms are too thin and sickly, she is twisted at a wrong angle, the farmhouse is ghostly, and the placement of her hand on the grass suggests both yearning and escape.

The painting triggered many questions, but most of all, people asked this: who IS Christina?

Kline has written a beautifully wrought story here, about Christina’s life, historical American farm life, and living life with a disability. She has balanced these elements of the story so well. I was blown away by the depth of emotions conveyed in her elegant, concise language. The research and facts behind the fiction are clear – everything is believable. Not only does the truth come through, it was fascinating.

Such a wonderful, enjoyable, interesting read. Just like the original painting, there is so much more to Christina Olson’s world going on beneath the surface; beyond what you see at first glance.

This book is not "plotless" as some reviewers state. Rather, it's very character-driven. And the main characters are wonderful. Maybe, definitely, not perfect. But gorgeously described. You can see them all in your mind's eye, and once seen, you'll never forget them. Christina's early childhood is almost perfect, as she's highly observant, brilliant, and loves the world she was born into. As with many children living in isolated circumstances, her family of brothers is important to her. So are books, and nature, and her daydreams. She wants to go to university, but nobody in her family has, and as the only girl in her family, her rather mysterious father expects--demands--that she quit school to help her mother. She's broken hearted, wanting to be a teacher. Her teacher's broken hearted too, knowing how brilliant she is, and that the gift of Emily Dickinson's poems will not make up for the lack of schooling. Christina's world narrows to housework, taking care of her family, especially as her few school friends marry and have babies, and her father becomes ill and progressively disabled. He complains a lot more about his disabilities than she does about hers. When she's about 20, summer folks from Boston bring a man whom she falls in love with, but after he marries someone else, no one else ever brings love into this loving woman's heart. Except, in an odd way, the painter Andrew Wyeth, another Boston summer visitor, much younger than Christina, who understands her because of his own disability. She becomes his muse, they become real friends, and he paints her many times. The famous "Christina's World" is his tribute to her. This historical novel is a "what might her life have been like" sort of book, well researched and well imagined.

This book pulls you into the life of a woman who never saw much more of the world than that surrounded by the walls of her childhood home. Despite its limited setting, you get a sense of how expansive her inner life was. A quick, but engaging read.

Story based on a painting done by famous painter, Andrew Wyett. When reading, I realized the love between a brother for his sister and it caused me to shed a few tears for my own brother. The main character, Christina Olson, when just a young girl becomes afflicted with a degenerative nerve disorder and is destined to live out her life caring for others. The story evolves from her childhood to later years and those loved ones coming in and out as the years go by. Living physically separated and apart from outsiders, the painter finds Christina's World. This place- rural Maine, is the entire world to Christina. Story is based on truth. Christina was a real person. Like the landscape around her, she perseveres despite her crippling disease. Andrew Wyeth, the painter got to know Christina in 1939. The painting of Christina's World is in the Museum of Modern Art in New York. The Farnsworth Museum is in Rockland, Maine. Christina's homestead is in Cushing, Maine.

While reading this this book I did feel I was a piece of Christina's world. Kline makes Christina's life and feelings come alive on the pages. I'd like to visit the Farnsworth museum and then to Rockland. I enjoyed learning of Christina's relationships w/ other people in her circle and watch her grow despite set backs and physical difficulties. Her determination seemingly comes from past life time. Betsy and Andrew Wyeth sometimes see Christina better or in ways she doesn't see herself. They enter her life almost w/o permission but they become some of Christina's and Alvaro's close friends.

An interesting fictional account of the story behind the famous “Christina’s World” painting. The story alternates between flashbacks to youth and current time of the painting’s subject, Christina Olson. A little slow to develop in the middle, but an interesting tale which had me researching more about the painter Wyeth and the Olson house after reading.

With extensive research and a dash of literary license, Kline illustrates the difficult life of the subject of Andrew Wyeth's memorable painting, Christina's World. I've a fondness for "the story behind the art" novels, whether real, embellished or imagined. This was at once a quick, engaging, infuriating and inspiring read. Recommended!

I admired the book. I agree with another author, Nathan Hill, quoted on the following website: "This is a novel that does what Andrew Wyeth’s famous painting does: it renders a whole universe of love and longing inside a seemingly simple scene."

Author's website: http://christinabakerkline.com/novels/a-piece-of-the-world/

How much of the story is true? See https://www.bookclubgirl.com/book_club_girl/2017/02/behind-a-piece-of-the-world.html

https://www.pressherald.com/2017/09/03/the-work-of-recreating-christinas-world/

Picture of brother mentioned on p. 132 is The Oil Lamp
http://www.artnet.com/artists/andrew-wyeth/the-oil-lamp-eUfK2CrcaJ5E7dqWOKydiQ2

Picture p. 136, Christina Olson, can be seen at
http://wyeth.site.seattleartmuseum.org/wp-content/uploads/sites/19/2017/08/ChristinaOlson_RGB_1080px.jpg

The original is at the Minneapolis Institute of Arts.

Famous picture Christina's World is at the Museum of Modern Art. The book has a reproduction at the end, but this website is a better reproduction; click on the picture and listen to the audio.
https://www.moma.org/collection/works/78455. Notice how you see each blade of grass.

This article discusses how physicians view the painting:
https://scholarblogs.emory.edu/journalofhumanitiesinrehabilitation/2017/10/17/inside-christinas-world/

P. 173 mentions a story about a woman trapped behind wallpaper. I believe this is The Yellow Wallpaper by Charlotte Perkins Gilman. Both books are sympathetic portraits of women who are circumscribed by patriarchal society.